Your music,
your demos,
your bookings —
one place.
TheJay is the workspace an artist runs a career from. Everything that connects you to another person is free.
What needs
you today
Four things, in the order I would do them.
Nine tools that have never heard of each other. And one that has.
You sent it. Now find out what happened to it.
A private link tells you it was played. This tells you who, how far, how many times, and whether it went round the label.
And everything that arrives lands in one queue.
Including the ones that came to your ordinary email. Space to play, 1–4 to decide, and the next one is already going.
Whatever the sender used. All four answers go back to them, which is more than almost anybody in this industry ever gets.
The money is on the booking. Not in a second file.
Fee, travel, costs and what is actually left. Move it to Confirmed and the calendar, the contract and the month's income move with it.
Lofi — Nachtlab
Block a Saturday once. Anyone you have given access sees free, busy or tentative — and never the reason you wrote next to it.
One link. One booking. No account.
The promoter gets the offer, your rider and only the documents your agent ticked. When they accept, TheJay records who, when, and a checksum of exactly what was on the screen — and you see the show on your own board.
“They accepted it” stays true after somebody re-uploads the PDF — because what they accepted was hashed, not linked.
A grid you recognise your own records in. Not a table.
Tracks, releases, versions and who played on them — banded by what is coming, what is in progress, and what is already out.
One number in. Every place it can be heard, out.
Your distributor already published it under an ISRC. Type it once — the link builds itself, and counts a click per service.
Six free-text boxes filled in on release morning is how half the destinations go missing.
One link, two faces. Neither can go stale.
A fan lands on the music. A booker lands on the rider. Both are read from the work you already logged — nobody should build a PDF out of their own database.
2026 Lofi — Nachtlab Amsterdam, NL · 01:00
2026 Betonhal Rotterdam, NL
- Last played
- Lofi, Amsterdam · 12 Aug
- Live set
- 48 minutes, filmed 2026
- Rider
- Technical v4 · hospitality attached
- Press photos
- 3, hi-res, credited
- Contact
- bookings@ · answers in 2 days
Sat 14 Feb · Betonhal, Rotterdam · budget €3,500
The enquiry lands as a booking row — with the date already checked against your calendar.
They book. They still cannot see your margin.
Accept representation and it is one booking, not two copies kept in step over email — and there is a named list of things no permission here reaches at all.
- Fee
- €3,000
- Travel
- Covered
- Stage time
- 01:00 – 03:00
- Contract
- Accepted 14 Aug
- Their margin
- not a column you have
- Client price
- €4,200
- Travel
- €680
- Your fee
- €3,000
- Costs
- €120
- Margin
- €1,080
You tick what they may do — and you can untick it on a Tuesday.
Nobody signs anything to try this, and nobody has to leave to stop.
Book yourself and none of this appears. It arrives the first time an agency asks, and it does not go away again when a representation ends — a door that vanishes after you used it is worse than one that was never offered.
Six more screens, and none of them needed a paragraph.
What needs you today, in the order to do it — read from your own rows, never from a platform's API.
Bookers, labels and venues with the clock attached. What you privately think of a promoter, the promoter can never read.
Connect the mailbox you already use. Threads file themselves against the contact, booking or demo they belong to.
One conversation at a time — and a paced send for a hundred and fifty at once.
A caption per channel, written from what TheJay already knows. €15 a month if you would rather it posted for you.
Two are included, and a duo is two people. A manager can run bookings without reading demos.
Every edge between two people is free. Only scale is paid.
- Your press kit, artist page and public booking page
- Your whole catalogue, and smart release links
- Bookings, calendar, availability, enquiries from your press kit
- Every demo that arrives, however many
- Working with an agency
- TheJay posts for you — Instagram, TikTok, YouTube, Facebook, LinkedIn
- 1,000 outbound recipients a month instead of 50
- 25 GB of stored media instead of 10 GB
- Five people in the workspace instead of two
- No subscription at any roster size
- Your artists still pay nothing
- One person can hold both — a workspace is what its profile rows say it is
Stop paying and you go back to Free with everything still in it. Nobody is locked out of their own work. The whole price list.